Reconfiguration

dc.contributor.advisorLume, Charles Matson
dc.contributor.authorRussell, Mia
dc.date.accessioned2017-12-08T20:55:59Z
dc.date.available2017-12-08T20:55:59Z
dc.date.issued2014-04
dc.descriptionArtist statement and photographs of artist's works.en
dc.description.abstractWith an initial concept and visual in mind, each finished work transforms from what I imagined or intended to express at the start. I work in a series of layers, responding to each layer as I consider how each decision would affect the already standing parts and reconfigure each element’s existence and relevance. Even the hidden layers are there, unseen by the viewer but necessary and meaningful as it informs the subsequent layers and had purpose at one point in the process. The work is finished when it has thoroughly challenged me, excites me, and sits well with me. However, as time passes, it may become evident that it is no longer finished and that I must return to work on it.en
dc.description.sponsorshipUniversity of Wisconsin--Stout. Research Servicesen
dc.identifier.citationRussell, M. (2014). Reconfiguration. University of Wisconsin-Stout Journal of Student Research, 13, 300-303.en
dc.identifier.urihttp://digital.library.wisc.edu/1793/77514
dc.language.isoen_USen
dc.publisherUniversity of Wisconsin--Stout. Research Servicesen
dc.rightsAll rights reserved. No part of this journal may be reproduced in any form without the permission of the University of Wisconsin-Stouten
dc.subjectpaintingen
dc.subjectart and designen
dc.subject.lcshCollege students' art--Wisconsin--Menomonieen
dc.subject.otheracrylic paintingsen
dc.subject.otheroil paintingsen
dc.titleReconfigurationen
dc.typeArticleen
dc.typeImageen

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