Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin

dc.contributor.advisorGillian M. Rodger
dc.contributor.committeememberMartin J. Rosenblum
dc.creatorLewin-Lane, Stephanie P.
dc.date.accessioned2025-01-16T17:59:21Z
dc.date.available2025-01-16T17:59:21Z
dc.date.issued2012-08-01
dc.description.abstractRockabilly music is an exciting and vibrant style of early Rock and Roll that originated in the 1950s. With its aggressive beat and anti-establishment connotations, rockabilly is considered a widely male-dominated genre, a point supported by the majority of scholarship and literature on the subject. However, a review of available contemporary recordings, television shows, advertisements and interviews show that women were an integral part of the history of rockabilly music. In this thesis, I will discuss women in rockabilly music and address how issues relating to gender and race in 1950s culture affected women performers. More specifically, I will examine the experiences of two performers, LaVern Baker and Janis Martin, concentrating on formative and important events in their careers and how they affected rockabilly music overall. I will also include interview transcripts with Janis Martin and her mother, Jewel Martin, that are previously unpublished.
dc.identifier.urihttp://digital.library.wisc.edu/1793/85381
dc.relation.replaceshttps://dc.uwm.edu/etd/11
dc.subjectJanis Martin
dc.subjectLaVern Baker
dc.subjectRhythm and Blues
dc.subjectRockabilly Music
dc.subjectRock and Roll
dc.subjectWomen Performers
dc.titleSweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin
dc.typethesis
thesis.degree.disciplineMusic
thesis.degree.grantorUniversity of Wisconsin-Milwaukee
thesis.degree.nameMaster of Music

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