Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin
| dc.contributor.advisor | Gillian M. Rodger | |
| dc.contributor.committeemember | Martin J. Rosenblum | |
| dc.creator | Lewin-Lane, Stephanie P. | |
| dc.date.accessioned | 2025-01-16T17:59:21Z | |
| dc.date.available | 2025-01-16T17:59:21Z | |
| dc.date.issued | 2012-08-01 | |
| dc.description.abstract | Rockabilly music is an exciting and vibrant style of early Rock and Roll that originated in the 1950s. With its aggressive beat and anti-establishment connotations, rockabilly is considered a widely male-dominated genre, a point supported by the majority of scholarship and literature on the subject. However, a review of available contemporary recordings, television shows, advertisements and interviews show that women were an integral part of the history of rockabilly music. In this thesis, I will discuss women in rockabilly music and address how issues relating to gender and race in 1950s culture affected women performers. More specifically, I will examine the experiences of two performers, LaVern Baker and Janis Martin, concentrating on formative and important events in their careers and how they affected rockabilly music overall. I will also include interview transcripts with Janis Martin and her mother, Jewel Martin, that are previously unpublished. | |
| dc.identifier.uri | http://digital.library.wisc.edu/1793/85381 | |
| dc.relation.replaces | https://dc.uwm.edu/etd/11 | |
| dc.subject | Janis Martin | |
| dc.subject | LaVern Baker | |
| dc.subject | Rhythm and Blues | |
| dc.subject | Rockabilly Music | |
| dc.subject | Rock and Roll | |
| dc.subject | Women Performers | |
| dc.title | Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin | |
| dc.type | thesis | |
| thesis.degree.discipline | Music | |
| thesis.degree.grantor | University of Wisconsin-Milwaukee | |
| thesis.degree.name | Master of Music |
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