Ethiopian Art: Christian Narratives from the Kebra Nagast

dc.contributor.advisorDavid Pacifico
dc.contributor.advisorRichard Leson
dc.creatorEllsworth, Morgan
dc.date.accessioned2025-01-16T18:35:24Z
dc.date.available2025-01-16T18:35:24Z
dc.date.issued2020-05-01
dc.description.abstractKing Ezana declared Christianity as Ethiopia’s state religion in 330 C.E. Ethiopia was the first country to mint a coin with the symbol of a cross. The Christian religion was established as a political move to strengthen economic ties with the Mediterranean world. Christianity has been used to keep Ethiopia independent. The Ethiopian artworks discussed here depict themes based on Christian narratives with multiple groupings of similar motifs and identical religious iconography. The Ethiopian art market still creates these motifs today to spread a repeated political message of the country’s pride, history, and represent their rulers’ legitimacy. I explore these religious messages by interpreting the artworks through Ethiopia’s sacred text, the Kebra Nagast, which therefore presents the works in an Ethiopian context. The message is clear throughout these works: Ethiopian rulers are direct descendants of King Solomon, and therefore King David, and Ethiopia shall remain prosperous and victorious.
dc.identifier.urihttp://digital.library.wisc.edu/1793/87110
dc.relation.replaceshttps://dc.uwm.edu/etd/2659
dc.subjectChristianity
dc.subjectEthiopia
dc.subjectEthiopian Art
dc.subjectKebra Nagast
dc.subjectQueen of Sheba
dc.subjectTimket
dc.titleEthiopian Art: Christian Narratives from the Kebra Nagast
dc.typethesis
thesis.degree.disciplineArt History
thesis.degree.grantorUniversity of Wisconsin-Milwaukee
thesis.degree.nameMaster of Arts

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