Literal and Symbolic Cyclic Form in Debussy's Sonata for Flute, Viola, and Harp.
Loading...
Date
Authors
Stagg, Christiane
Advisors
License
DOI
Type
Presentation
Journal Title
Journal ISSN
Volume Title
Publisher
Grantor
Abstract
In his Sonata for Flute, Viola, and Harp, Claude Debussy presents the listener with a fascinating handling of cyclic form. This skillful manipulation is seen not only in the literal return of the opening musical material, but also extends symbolically into Debussy's own irretrievable past.
Description
Color poster with text, portrait, and music.
Related Material and Data
Citation
Sponsorship
University of Wisconsin--Eau Claire Office of Research and Sponsored Programs.