Literal and Symbolic Cyclic Form in Debussy's Sonata for Flute, Viola, and Harp.

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dc.contributor.advisorDon, Gary W.
dc.contributor.authorStagg, Christiane
dc.date.accessioned2009-09-22T20:25:23Z
dc.date.available2009-09-22T20:25:23Z
dc.date.issued2009-04
dc.descriptionColor poster with text, portrait, and music.en
dc.description.abstractIn his Sonata for Flute, Viola, and Harp, Claude Debussy presents the listener with a fascinating handling of cyclic form. This skillful manipulation is seen not only in the literal return of the opening musical material, but also extends symbolically into Debussy's own irretrievable past.en
dc.description.sponsorshipUniversity of Wisconsin--Eau Claire Office of Research and Sponsored Programs.en
dc.identifier.urihttp://digital.library.wisc.edu/1793/36795
dc.language.isoen_USen
dc.relation.ispartofseriesUSGZE AS589en
dc.subjectCyclic form (Music)en
dc.subjectDebussy, Claude, 1862-1918. Sonatas, flute, viola, harpen
dc.subjectDebussy, Claude, 1862-1918--Criticism and interpretationen
dc.subjectPostersen
dc.titleLiteral and Symbolic Cyclic Form in Debussy's Sonata for Flute, Viola, and Harp.en
dc.typePresentationen

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